50年代-60年(nián )代初波兰(🐌)电影学(xué )院(yuàn )派的经(🕟)典(🕸)作品之(🕰)一，堪称(🎺)与同时代意(yì )大利导演(yǎn )安东(dōng )尼奥尼(🥩)的《奇(🎾)遇》相比，改编自(zì )(🌗)Józef Hen在社会主(zhǔ )义(yì )波兰时期(🕯)被禁的小说。　　In 1960 his second film NIKT NIE WOLA  NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.