马克·詹金导演执导的《诱饵2019》，2019年上映至今获得了不错的口碑，由Morgan Val Baker,Georgia Ellery,Martin Ellis,Chloe Endean,Stacey Guthrie,Jowan Jacobs,Giles King,Edward Rowe,西蒙·谢泼德,特里斯坦·斯特罗克,玛丽·伍德维恩等主演的一部不错的剧情片。

诱饵2019剧情：

康(kāng )沃尔渔村的风景明信片田园(🍩)诗(shī )(🔼)误导了(🕋)人们(🕟)。虽然过去钓鱼(yú )(🍥)是(shì )一种养(🎹)家糊口的方式，但如今富(🥩)有的(😧)伦(lún )敦游客纷纷下山，取(qǔ )代了当地人(🖲)，当地人的生计因此受到(dào )威胁。史蒂文(🔲)和(hé )马丁(🚉)兄弟的关系也很紧张。马丁(dīng )是(shì )一个没有船的渔夫，因(yīn )为史蒂(dì )文开始用它(tā )来(lái )为(🚣)一整天的(de )游(yóu )客提(⏯)供更赚(🔢)钱的旅游。他们卖掉了这(zhè )(🗞)座(🙂)家庭别墅，现在看(🤸)来，最(zuì )(㊙)后一(🙀)场(🙉)战(zhàn )斗(dòu )是和(⏰)新(xīn )主人在海边的(de )停车(🚻)位上展(⛳)开。然(👺)而，情况(🎋)很快(🕐)就(🐀)失控了，而(⚾)不仅仅是因为(wéi )车轮夹(jiá )(💹)钳。　　(🍑)Bait是一种黑白(bái )，手工(🌹)制作，16毫米胶片制作的电影。许多(🏒)关(guān )于(💿)鱼、(🐡)网、(🤔)龙虾(🔍)、长靴、绳结(👌)和渔(📸)篮(lán )的特写镜头让人想起了蒙太(tài )奇景点(diǎn )(🔙)的理论。对(🖍)不同社(shè )会阶层的(de )描述(shù )——可以说是阶级关系—(🍺)—也让(ràng )人(rén )想起了英(yīng )(💅)国电影中(✖)的社会(huì )现实主义传统(🏸)。然而，最重要(👅)的是，在(zài )影像中不同层(céng )次(🐱)的电影历史参考(🏡)文献之(zhī )下，当前许多政治(zhì )关(guān )联正在等待(dài )被发(🏆)现。　　The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.　　Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations –(💿) is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.

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